Artists

Chmura is an electronic music producer and DJ originating from Denver, Colorado, recognized for his intricate sound design within the experimental bass scene. His productions often feature mesmerizing soundscapes, avant-garde beats, and a blend of lush harmonies with cinematic melodies over deep, crunchy bass and tribal rhythms. He has released singles such as "Ocean Floor" and the downtempo track "So What". Chmura has collaborated with artists including ASHEZ, Comisar, Daggz, and Ooga, showcasing a diverse range of sonic partnerships. He has performed at notable festivals like The Untz Festival, Sound Haven, Electric Forest, and is slated for SummerStage in June 2026. Chmura's ability to craft immersive, emotionally resonant experiences positions him as a dynamic force in contemporary bass music.

Czar is an electronic music producer and artist whose work occupies a distinct space within contemporary sound design. Operating with a focus on precise, atmospheric textures, the project emphasizes a cinematic approach to electronic composition. The aesthetic is defined by its deliberate pacing, often blending dark, immersive elements with structured, rhythmic foundations. By prioritizing mood and sonic depth over conventional club tropes, the artist creates a cohesive, introspective listening experience. This commitment to a singular, evocative soundscape establishes Czar as a compelling voice for listeners seeking depth and narrative in modern electronic music.

Led by San Diego native and Dubai resident Sean Thomas, &friends operates as a collaborative Afro house project that merges electronic production with traditional diasporic rhythms. The collective frequently features Nigerian vocalists Oluwadamvic, Phina Asa, and eL Jay alongside Zimbabwean producer Nitefreak, blending deep house grooves with uplifting vocal narratives and live percussion. Following their 2022 debut single "Gbagbe E" on their independent imprint Hidden Hands, the group gained international traction with the Nitefreak remix of "Ode Ireti" and a 2023 Afro house cover of Armin van Buuren's "This Is What It Feels Like" via Armada Music. Recent years have seen the project expand its global footprint with official remixes for Sofi Tukker and Bob Sinclar, alongside major performances at the Coachella DoLaB stage, Burning Man, and Bonbonniere in Tulum. By anchoring their output in cultural exchange and live instrumentation, &friends grounds the modern Afro house movement in collaborative, global artistry.

Berlin-based producer &ME is a pillar of Keinemusik and a standard-bearer for modern afro house, deep, rolling grooves, hand‑played percussion textures, and slow-burn builds that hit with real feeling. From global takeovers like the Keinemusik Giza Pyramids show to marathon club nights, his sets move between earthy rhythm and elegant melody, always locked into the dancefloor. Studio highlights include collaborations with Black Coffee (“The Rapture Pt. III”) and a steady stream of Keinemusik staples that shape today’s afro-house sound.

Japanese techno powerhouse Yousuke Yukimatsu (aka ¥ØU$UK€ ¥UK1MAT$U) is renowned for his intense topless DJ sets and boundary-pushing sound. Since breaking out of Osaka’s underground, he’s performed globally at Boiler Room Tokyo, Berlin Atonal, and Festival Dekmantel, blending techno with noise, acid, ambient, and experimental textures that captivate dancefloor purists. Often praised as a living legend in underground techno, his live performances are described as deep, cinematic, and cathartically raw.

1-800 Girls is the alias of London based producer and DJ Jake Stewart, a project defined by emotionally charged electronic music that bridges the gap between introspective soundscapes and raw club energy. Drawing from a background in new wave bands, Stewart infuses his productions with subtle nostalgia, intricate percussive textures, and staccato melodies. His discography includes notable releases such as the Dancing For You EP from 2019 on Lost Palms and the Slipping EP from 2020 on Shall Not Fade, alongside his 2026 debut album LOVE on Epic Records. He has performed at key venues and platforms including HÖR Berlin and maintains a versatile DJ style that traverses house, UK bass, and leftfield electronica. By balancing intimate, song oriented songwriting with high energy club functionality, 1-800 Girls creates a distinct sonic space that resonates with both dancefloor momentum and personal reflection.

James Cobb operates as 10cust, a Los Angeles based DJ and producer navigating the intersections of alternative electronic music, techno, and electroclash. His sound merges high energy club edits with underground pop sensibilities, characterized by stripped back setups and raw performance dynamics. He has gained traction through bootlegs and remixes, including his rework of Tinashe's "2 On" alongside Alirealquick, a drum and bass flip of Kesha's "Backstabber", and the "Hi Bich (10cust Tool)" edit of Bhad Bhabie. Recent activity includes a booking at HARD Summer 2026 in Inglewood, as well as appearances at CRSSD After Dark in San Diego alongside Boys Noize and MCR-T. He has also expanded his international footprint with sets at OFF Nitsa in Barcelona and DSTRKT Club in Berlin for the Live from Margins series. Collaborating frequently with artists like Suzy Sheer and damon r., 10cust continues to anchor a growing community of experimental club acts on the West Coast.

London, United Kingdom based DJ and producer 1991 is a central figure in contemporary drum and bass. Emerging in 2016 after being handpicked by Chase & Status for MTA Records, he gained immediate traction with his breakout single "Witchdoctor." His production style blends emotive melodies, atmospheric soundscapes, and commanding basslines tailored for club environments. He released his debut album "Odyssey" in 2022 and subsequently signed with Polydor, delivering recent singles like "Horizon" and "Jungle" alongside Alex Hosking. As a core member of the WORSHIP collective alongside Sub Focus, Dimension, and Culture Shock, 1991 frequently tours North America and Australasia. He regularly performs at major international festivals, including Tomorrowland, EDC Las Vegas, and Let It Roll.

Originating from Xalapa and long based in Mexico, 1OO1O is a producer and DJ known for fusing leftfield electronic music with Latin American folkloric styles. His sound bridges disparate traditions, blending footwork, jungle, techno, electro, and UK garage with salsa, mambo, and dembow. He is a central figure in the Mexican underground scene, having founded the MOVELIKE collective to curate events and radio shows that highlight regional talent. His notable releases include the 2023 project SALSA & BREAX and the 2024 effort SALÓN CANDELA, both of which exemplify his dexterity in connecting rhythmic threads across eras. He maintains a consistent presence in international club circuits, with key appearances at venues like Yu Yu Cine Club in Mexico City and various festivals across North America.

New Zealand born producer Jack Laven, known as 33 Below, operates from a base in London to craft a sound that bridges the gap between underground bass culture and emotive, pop tinged electronic music. His production style frequently utilizes UK garage rhythms, liquid drum and bass textures, and euphoric synthscapes to create a balance between introspective listening and peak time club energy. Notable releases include his debut EP Motions in 2022 and the sophomore project PUSHER in 2023, both released on Th3rd Brain Records. He has collaborated with artists such as RL Grime and DRIIA, while maintaining a consistent presence at major festivals and club circuits like UKF and Fabric. By blending the subterranean pulse of garage with accessible melodic hooks, he occupies a distinct space in the modern electronic landscape that appeals to both dancefloor purists and mainstream listeners.

Based in New York City, 3mouth is an electronic music producer known for a high energy sound rooted in jungle and breakcore. Their production style frequently utilizes sample heavy arrangements, complex percussion, and aggressive basslines designed for club environments. Since launching the project in 2022, they have built a significant digital following through releases such as the 2022 EP Factory Sealed and the 2024 album Speaker Smoocher. Beyond studio work, 3mouth performs as a DJ, bringing their bass heavy aesthetic to venues ranging from local New York City clubs to international stages in Tokyo. The project is characterized by a genre blurring approach that prioritizes kinetic energy and technical, rhythmically dense sound design.

Anu Desai, who performs under the alias 444, is a South Asian DJ and producer based in Brooklyn, New York. Originally from New Jersey, she draws upon her background as a percussionist to craft rhythmically dense club sets. Her sound blends global dance music styles, frequently incorporating Brazilian funk, shatta, dembow, gqom, juke, and United Kingdom garage alongside heavy basslines and bouncy club edits. She has become a regular fixture in the local queer nightlife circuit, recently performing at venues like Mood Ring and Elsewhere, as well as the Brooklyn Museum. Beyond her performances, she actively hosts DJ workshops and collaborates with queer and BIPOC collectives to promote accessibility within the music industry. By centering underrepresented cultural sounds on the dancefloor, 444 continues to carve out a distinct and empowering space within the modern club landscape.

4AM NYC is a Detroit based DJ, producer, and educator who emerged from the underground scene of New York City. Known for a vinyl focused approach, their sets traverse house, techno, and leftfield selections with a focus on emotional narrative and dancefloor energy. They founded the party series and radio show Spiritual Mental Physical in 2017, which anchored residencies at venues such as Good Room, Public Records, and Le Bain. In 2024, they contributed to the IYKYK compilation on the Brooklyn label Air Texture, highlighting femme and nonbinary producers. Their sound is characterized by a vivid emotional spectrum and a commitment to the rhythm of the dance floor.

Bobby McKeon, known as 4B, is an American DJ and producer originating from Staten Island, New York, and raised in Westfield, New Jersey. He established his presence in electronic music by championing an aggressive Jersey club sound, which he has consistently evolved to incorporate elements of trap and house. His breakout track, "Pop Dat," released in 2015 on Mad Decent and Dim Mak, became a festival staple, followed by collaborations with artists like Chris Brown and Flosstradamus. 4B has performed at major festivals including EDC, Ultra Music Festival, and Mad Decent Block Party, also developing his "4B & Friends" event series. His productions are characterized by dynamic beats and a bass-heavy, energetic aesthetic, occasionally exploring tribal house textures. 4B's sustained output and significant industry support underscore his role in popularizing Jersey club and maintaining a versatile presence in the global dance scene.

8ULENTINA is an interdisciplinary artist, producer, and DJ currently based in New York City. Emerging from the Oakland club scene, they co-founded the influential label and event series Club Chai, which centered diasporic narratives and non-Western sounds within the global underground. Their current project, Sillage, serves as a platform for experimental, improvisational, and archival sonic practices. 8ULENTINA is known for dynamic performances that synthesize percussive intensity, sound design, and theatricality, often drawing from their SWANA background. Their 2025 album Surpassing Disaster, released on Sillage, exemplifies their research-oriented approach to blending traditional folk traditions with electronic composition.

Tbilisi born and Brooklyn based, Nikoloz Gedevanishvili operates as 98dots, a DJ and promoter bridging the electronic music communities of Georgia and the United States. He holds a residency at the Tbilisi broadcasting platform Mutant Radio, where he hosts the monthly program Rapture Investigation. His selections traverse a wide spectrum of underground styles, weaving together experimental, ambient, techno, and psychedelic trance elements into hypnotic narratives. As a regular presence in both the Georgian and New York club circuits, he frequently performs at notable venues like Bassiani, Public Records, and Bossa Nova Civic Club. Recent activity includes an appearance at the 2026 Wire Festival at Knockdown Center and shared bills with artists such as DJ Nobu, Wata Igarashi, and Fred P. Through his live sets and radio broadcasts, 98dots cultivates a distinct aesthetic that explores the mystical and abstract corners of dance music.

Formed in Italy in 2016, 999999999 is a live techno duo known for their hardware-only performances and uncompromising approach to acid and hard techno. The project, helmed by Carlo B. and Giovanni C., quickly gained traction through a series of vinyl-only releases on their own NineTimesNine imprint, including the highly sought-after "X0001000X" in 2017. Their breakout 2018 track "300000003" on Planet Rhythm introduced their relentless, 303-driven sound to a wider audience, cementing their reputation as purveyors of raw, machine-made club music. Operating entirely without laptops, the pair relies on drum machines and modular synthesizers to create improvised, high-BPM sets that have anchored stages at Awakenings, Fabric in London, and the Electric Daisy Carnival in Las Vegas. In addition to their rigorous international touring schedule, they regularly curate their own 9x9 Invites events across Europe. By merging the visceral energy of old-school rave with modern industrial precision, 999999999 anchors the heavier, hardware-driven edge of the contemporary techno circuit.

A Guy Called Gerald (born Gerald Simpson) is a pioneering electronic music producer and live act originally from Manchester, United Kingdom. Emerging in the late 1980s, he helped lay the foundation for British dance music with his 1988 acid house track "Voodoo Ray" (Rham Records) and his co-production on 808 State's "Pacific State." He later established his own Juice Box label (active 1991–1998) to release seminal jungle and drum and bass records, most notably the 1992 album *28 Gun Bad Boy* and the 1995 full-length *Black Secret Technology*. A fiercely independent artist who has spent time based in New York and Berlin, he remains a vital force in the global underground, recently holding a monthly residency on Rinse FM and performing at events like Dekmantel Festival and London's FOLD. Armed with an array of analog hardware, his live sets continue to showcase a complex, polyrhythmic aesthetic that bridges the gap between classic techno, deep house, and futuristic breakbeats.

Based in Denver, Colorado, A Hundred Drums is the project of multi-instrumentalist and producer Gabrielle Watson. Her sound fuses heavy dubstep and bass music with psychedelic textures, organic percussion, and hip-hop influences. Signature releases include the Enough Is Enough EP on Deadbeats, the self-titled album on Gravitas Recordings, and her remix of Flute Dub by Subtronics. She has performed at major festivals such as Coachella, Electric Daisy Carnival, and Bonnaroo, while maintaining a commitment to social advocacy through her music and promoter brands. Her work stands out for its ability to bridge underground bass culture with intentional, message-driven compositions that prioritize rhythmic depth and physical impact.

A.S.A is a New York City based DJ and producer whose sound navigates the intersection of contemporary dance music and club culture. Emerging from the Lower East Side, she crafts sets that prioritize rhythmic precision and groove, drawing inspiration from the foundational energy of modern house and electronic production. Her work reflects a commitment to technical curation, often blending diverse influences to maintain momentum across club environments. By focusing on the interplay between bass-forward textures and melodic structure, she establishes a distinct presence in the local scene. Her approach to performance emphasizes the physical connection between the booth and the dancefloor, marking her as a focused contributor to the current electronic landscape.

A'jour is a Brooklyn based DJ and producer who operates within the local electronic music collective Matata. The artist focuses on deep house and Afro house, crafting sets that prioritize rhythmic flow and immersive atmosphere. Their work is characterized by a commitment to creating inclusive dancefloor environments, often collaborating with fellow collective members to curate community driven events. A'jour maintains a consistent presence in the New York City club circuit, where they continue to refine a sound rooted in soulful grooves and percussive textures.

Aaron Dae is a New York City based DJ, promoter, and label owner who has operated within the underground dance music scene since 1994. As the co founder of the influential Brooklyn label Razor N Tape, he has helped define the modern sound of New York disco and deep house. His DJ sets draw from a broad spectrum of classic house, disco, boogie, and funk, reflecting his formative years in the 1990s rave and club circuit. He maintains a consistent presence at Brooklyn venues such as Public Records and Good Room, while also holding regular nights at Le Bain. His aesthetic centers on infectious, groove led selections that bridge the gap between vintage dance floor staples and contemporary electronic soul.

Formed in London, the trio of Jono Grant, Tony McGuinness, and Paavo Siljamäki stands as a foundational force in modern trance and progressive house. Their output is defined by emotive songwriting, soaring synth melodies, and a signature tension that prioritizes communal experience over aggressive club tropes. Key releases include the seminal album Tri-State from 2006 on Anjunabeats and the 2011 anthem Sun & Moon, which solidified their crossover appeal. Through their Anjunabeats and Anjunadeep labels, they have cultivated a global community centered on their Group Therapy radio show and recurring festival showcases. They continue to headline major stages worldwide while maintaining a production aesthetic that balances pop-leaning vocal hooks with expansive, atmospheric arrangements. Their enduring influence lies in their ability to bridge the gap between intimate, song-driven storytelling and the scale of stadium-sized electronic music.